Each instrument comes with a wood specs label for body, neck and fingerboard.
BODY
ALDEROKUME’ ( NINJA RB BASS SHAPE DESIGN)
NECK
1PC FLAT SAWN MAPLE
FINGERBOARD
SELECTED PLAIN MAPLE 34″ scale, 24-FRET / 2.4mm, GraphTech Black Rusq NUT, Black DOTS (side)
HARDWARE
Markbass Ultralight Custom machine heads, 20:1 ratio, Black Markbass Custom bridge 5-string with zinc saddles, black
PICKUPS
Markbass Custom Soapbar
ELECTRONIC
The Kimandu bass features a Markbass custom electronic as well, simple, intuitive and effective even on extreme settings. Controls are VOLUME/VOLUME/TONE (with an active/passive switch on Tone) letting an incredible pickups blending capability compared to a regular Blend control and with active BASS/MID/TREBLE… so you’re not gonna have resounding bassblowing treble. The frequency values have been chosen to offer a wide range of tones that you can use on any setting. The TONE control (working also in the passive mode) has been defined by Richard as the “G Point” because of its accurate efficacy letting to move from smooth and warm tones to bright and hi-fi ones, everything in a one of a kind “sensual” way.
Each instrument comes with a wood specs label for body, neck and fingerboard.
ALDEROKUME’ ( NINJA RB BASS SHAPE DESIGN)
1PC FLAT SAWN MAPLE
SELECTED PLAIN MAPLE
34″ scale, 24-FRET / 2.4mm, GraphTech Black Rusq NUT, Black DOTS (side)
Markbass Ultralight Custom machine heads, 20:1 ratio, Black
Markbass Custom bridge 5-string with zinc saddles, black
Markbass Custom Soapbar
The Kimandu bass features a Markbass custom electronic as well, simple, intuitive and effective even on extreme settings.
Controls are VOLUME/VOLUME/TONE (with an active/passive switch on Tone) letting an incredible pickups blending capability compared to a regular Blend control and with active BASS/MID/TREBLE… so you’re not gonna have resounding bassblowing treble. The frequency values have been chosen to offer a wide range of tones that you can use on any setting. The TONE control (working also in the passive mode) has been defined by Richard as the “G Point” because of its accurate efficacy letting to move from smooth and warm tones to bright and hi-fi ones, everything in a one of a kind “sensual” way.